Happy Day – Tim Hughes
All Around – The Glorious Unseen
Find Rest – Annie Lawrence
Waiting Here For You – Christy Nockels
Signature of Divine (Yahweh) – NEEDTOBREATHE
SET LIST: 01.15.12
I Am Set Free – All Sons & Daughters
Break Every Chain – Will Regan & United Pursuit Band
All The Poor & Powerless – All Sons & Daughters
Set A Fire – Will Regan & United Pursuit Band
Our God Will Come – One Sonic Society
Biggest Regrets of 2011 (musically…)
I hope you guys were able to check out my Top 5 albums of 2011, I really enjoyed being able to share that with you all. As promised, here’s a list of albums that came highly recommended that I never bought. I’ve got some catching up to do!
Adele – 21
Foo Fighters – Wasting Light
Coldplay – Mylo Xyloto
Foxy Shazam – anything they’ve ever done. I was introduced to them yesterday, and they’re hilarious
Kanye West & Jay Z – Watch The Throne (my guilty pleasure…)
Maroon 5 – Moves Like Jagger (just the song, not the album…another guilty pleasure)
SET LIST: 01.08.12
Cannons – Phil Wickham
Our God Will Come – One Sonic Society
Mystery – Phil Wickham
Better Is One Day – Matt Redman
Forever Reign – One Sonic Society
Top 5 Albums of 2011: GUNGOR – GHOSTS UPON THE EARTH
Gungor is insane. I would say that they’re one of the most creative and talented bands out there. There’s plenty that I could say about “Ghosts Upon The Earth,” but instead I’m just going to let you check out their official bio. It’s a great read, hope you enjoy it!
The best things in life are often hard to describe. But because it is mankind’s natural instinct to understand the world, there is an attempt to box things into categories. Even the most complex feelings and emotions are neatly organized with made-up labels that over simplify the most beautiful complexities of existence. Music is no different. Genre titles such as “Pop”, “Folk” and “Alternative” are meant to give a listener an idea of what to expect and how to group music together. But, for the musical collective, Gungor it is not that simple.
It’s not so much an attempt to directly defy the rules of modern music making as much as it’s simply the honest musical response of the Denver based group that sees the world as a beautifully complicated place. Multiple Grammy ® nominations, magazine covers and even a few “Album of the Year” declarations for 2010’s Beautiful Things, proves that listeners are longing for excellent and authentic music, whether it fits the norm or not.
For their third major release, Gungor has composed a concept album that celebrates the beauty of life even in the midst of darkness and pain. Starting with a startling musical imagining of the creation of the universe and traversing subjects like the “fall of man” and the imperfection of our religious systems, this album leads the listener through a roller coaster of emotion that eventually leads us back to wonder and thankfulness to this beautiful gift of life.

This is a group that believes listeners are intelligent enough to appreciate lyrical metaphor and allegory along with intricate time signatures and somewhat uncommonly paired instruments in pop or rock music. Ghosts Upon the Earth paints a hauntingly beautiful soundscape that emotionally conveys both the intricacy and wonder of the universe that we live in as well as the tension and dissonance that we all experience. From sweeping string lines and soaring, falsetto vocal melodies to distorted flute riffs and five part dissonant harmonies, this album explores quite a wide emotional and musical gamut.
And according to Michael Gungor, the namesake, producer, and leader of the collective, it’s all very purposeful and full of subtle meaning. From fast violin arpeggios that represent vibrating “strings” in a primordial universe, to the sacred sound of the first heartbeats that Michael and his wife Lisa ever heard of their baby girl reminding us of the fragility and preciousness of life, nothing is haphazard about this album.
Also featured more prominently on this record than the last one is Michael’s wife, Lisa, a gifted musician and songwriter in her own right. Most of the songs on the album are written by Michael and Lisa together, and there are several songs that feature her as the primary vocalist. Her voice is used as an instrument in itself, in an album that includes credits for things like a six-person string section, horns, glockenspiels, banjos, and a boys choir.
The title, Ghosts Upon the Earth was somewhat inspired by the allegory by C.S. Lewis titled The Great Divorce, in which the “ghosts” of a grey town encounter a heaven that is astonishingly, even painfully, real. “Sometimes it seems like the most real thing is what we can see and experience with our senses around us- this life, the tangible,” explains Michael Gungor. “Ideas like love, like God, these things sometimes feel more disconnected and ethereal, like that’s the ghostly realm. But what if that’s wrong, and God and love is actually what is most real, and we are more like ghosts walking upon the earth, hoping to become more real?”
Gungor’s work on this new album follows a season of touring that was far removed from a typical concert or worship service. Composed into three movements, these “Beautiful Things Events” explored the intersecting of ideas like art and spirituality, faith and doubt, hope and social action, in ways that really resonated with concert goers, both in religious and mainstream settings. “I purposefully didn’t talk much or try to get people to do anything along with us,” Michael recalls. “But somehow in that lack of pressure, we started having these deeply spiritual moments in the room together, and by the end of the night, people might be crying or dancing or maybe just sitting there in silence, but there was something real happening among us.”
To Michael, this new album is a step farther down that path. “I feel like we’re a bit more comfortable with who we are at this point, and it’s been nice that there seems to be this little niche that we’ve found where people are excited to explore these things with us. Music doesn’t have to fit the mold to move people’s hearts, and at the end of the day, that’s really what we’re trying to do. We’re trying to make honest music that opens people’s hearts.”
Top 5 Albums of 2011: JOHN MARK McMILLAN – ECONOMY
HOW HE LOVES. It’s the one song that EVERYBODY knows. It’s the song that blew up in the church over the past two years; it spread like wildfire. Everyone knows it, but most people don’t know who wrote it (or they think Crowder wrote it cause his version is on Christian radio).
Ladies and gentlemen, meet John Mark McMillan. AKA: The guy who wrote How He Loves.

While How He Loves is an incredible song that has affected millions of people all over the world, I don’t think that it’s his best. JMM’s newest album, Economy, has been in my head for months. When I drove to Nashville with the TBR guys in November to record our album, it was one of two CDs we had in the car. This record is amazing.

Now, before I go any further, let me warn you. JMM isn’t always pretty. The tone of his voice fits perfectly with his folk-rock style and sounds best when it’s left alone without reverb or delay or any other effects. Lyrically, he is incredibly theological, sometimes without even trying to be. The thing that I think JMM did best was recruiting his band. He has surrounded himself with dudes that are 100% perfect for his sound, making his music that much better. Songs like “Economy” and “Who Is This” have incredible instrumental sections that showcase the talents of his band (most of whom also play in All The Bright Lights).
This album wasn’t a favorite of mine to begin with. I was expecting another album like “The Medicine,” but what I got was much different, but in a good way. After listening for a few months, I’ve become a huge fan of this album and I think it’s as good (if not better) than “The Medicine.” So, if you haven’t heard John Mark, you need to check him out! The entire album is great, just listen all the way through.
Here’s a video of us playing an arrangement of his song “Sins Are Stones” from last month. Enjoy!
Top 5 Albums of 2011: THRICE – MAJOR/MINOR

The first time I heard Thrice was in 7th or 8th grade, I don’t exactly remember when, but I remember how cool I thought they were. I was at my friend Nick’s house for “band practice” (we called ourselves a “band”) and we watched a music video for their song “To Awake And Avenge The Dead.” I was amazed at the fast, shredding guitar parts and how cool the lead singer’s voice was. Little did I know that they would become one of my favorite bands.
Fast forward almost 10 years and here I am writing about how Thrice’s new album, Major/Minor, is one of my favorites from the past year. But it didn’t happen overnight. In fact, I was a little turned off by Major/Minor at first, mostly just because I hadn’t gotten over my obsessions with the new records from Gungor and Switchfoot. But after deeper listening, I was consumed by the record. Frontman Dustin Kensrue‘s writing is some of my favorite; he is a writer who does not pull punches. The lyrical content on the record is sometimes hard to hear, as Kensrue confronts abusive husbands, helplessness, pride, and more. This dude tells it like it is, which ends up convicting me about the way that I’m living my own life. I love guys that do this, which is probably why I love listening to Pastor Mark Driscoll.

In the success of Major/Minor, the band has decided to take a hiatus and focus their attention elsewhere. For Dustin, this means going into full-time ministry as the Worship Pastor at Mars Hill Orange County, a new church plant in California. That’s another thing that I love about this dude; he values the local church!
Bottom line, you should check out Thrice. Maybe they’re a little hard for you, and if that’s true, no problem. Just read the lyrics and let me know what you think.
Top 5 Albums of 2011: SWITCHFOOT – VICE VERSES
If you’ve known me at all over the past 12 years, then you should have seen this one coming. I LOVE SWITCHFOOT. I always have, and I probably always will. I got their second record in 1999 and I have been listening ever since. Jon Foreman’s writing has gotten better and better with each album, and the band is only picking up steam. Vice Verses is my sing-a-long album at all times. Drew Shirley and Jon Foreman smother another album in classic fuzz that fits perfectly with the way they write songs. Everything on the album is tasteful, from the opening track, “Afterlife,” all the way to the closer, “Where I Belong.” This is a must have from a band that is only getting better.
Check out this live video of “Dark Horses,” their first single from Vice Verses.
Top 5 Albums of 2011: JOSH GARRELS – LOVE & WAR & THE SEA IN BETWEEN

I’ve got some friends to thank for this one: Emily Wynn, Ryan Levis, Paul Okoniewski, Whitney Fulk, Chad Altenberger and of course, Noisetrade.com. These people would not stop talking about Josh Garrels for the longest time, so I eventually gave in and downloaded his free album. Looking back, I would have no problem paying $20 for this record. Josh’s music is hard to classify, his album is all over the place (in a good way). The first 5 songs are completely different from each other, setting the stage for the 18-track album.
Lyrically, he’s one of my new favorites. “Farther Along,” an incredible recreation of an old hymn, is a theological work that so clearly communicates the state of the world we live in and what was done by God to save us from it. Catchy as it is, the lyrical content of this uptempo tune runs deep. I want to go through and write out my favorite tracks, but I can’t do that because it’s a COMPLETE WORK. These songs were written to be listened to together. So, go download it for free here and then find 67 minutes for you to relax and just listen. You won’t be disappointed.
My Top 5 Albums & Biggest Regrets of 2011
In my opinion, it’s been an amazing year for music. In the midst of Bieber-fever and the continual rise of Lady Gaga, many artists have again stepped up and put out amazing albums. I was speaking with some friends a few days back about how the industry has moved backwards in a way, with the focus again being all about the single. This is incredibly dangerous, because when everyone cares about the single, it opens the door for an artist to put three great songs and seven crappy songs on an album. It takes away from the excitement of purchasing an album, that’s why consumers aren’t buying them anymore. Thankfully, there are artists that are still making whole albums that are amazing.
Each day this week (Monday-Friday) I will be highlighting one of my Top 5 favorite albums from 2011. In addition, I’ll fill you in on my biggest regrets; a few more albums that I SHOULD have purchased this year based on recommendations from friends. So, be sure to track with me this week and feel free to post your thoughts about your Top 5, your biggest regrets, or any thoughts you have on my favorite albums from the past year!
I hope that the trend of making great albums continues as we head into the New Year! Let’s go into 2012 ready to hear some great stuff from the artists that we love.

